The London System is a reliable, easy-to-learn set-up for White: 1.d4 and an early bishop to f4, then e3, c3, Bd3 and Nf3. White plays almost identically against any black formation without memorising long lines. The main branches are gathered here: the classical formation, the ...Bf5 development and the ...c5 break. At each branching point, choose which line to play.
The dimmed moves are the rest of the main line, and the dots mark branching points. Click any move to jump to that position.
The thin arrow on the board shows the next move.
You can also play the move on the board: pick the piece up and put it on the square.
The starting position. Choose your moves - at a branching point several continuations are available.
The London System is not a specific line but a universal set-up for White: the bishop goes to f4 (outside the pawn chain), followed by e3, c3, Bd3, Nf3, Nbd2 and h3. White places the pieces almost identically against anything.
The main idea is reliability and economy of effort. There is no need to learn dozens of sharp lines: understanding the standard plans is enough. That is why the London is especially popular with busy club players and anyone unwilling to spend time cramming theory.
The London was once considered dull and harmless, but in recent years Magnus Carlsen and other elite grandmasters have taken it to the top level, proving that there is venom behind the apparent simplicity.
The system's skeleton is 3.e3, shoring up the d4 pawn and freeing the f1 bishop. White then presses on e5 and improves the position at leisure. Black chooses how to develop: the classical ...e6 and ...Bd6 (trading off the London bishop), the active ...Bf5 (getting the bishop out), or the immediate ...c5 break.
The struggle is usually quiet and positional: there are few sharp forcing lines, and everything depends on understanding the standard plans, manoeuvring and the fight for the key e5 square.
The beauty of the London is that its moves barely depend on Black's replies: Bf4, e3, c3, Bd3, Nbd2, h3 and short castling. The result is a solid structure with no weaknesses in which White's bishop stands outside the pawn chain - unlike in many closed openings.
Two plans follow. The first is to prepare e3-e4 and seize the centre. The second is an attack on the king: Ne5, Qf3 or Qe2, a rook lift along the third rank and sometimes g4. That is exactly why the system appeals to practical players: a clear scheme plus a real attack.
A subtlety worth knowing: h3 is useful almost always - it gives the f4 bishop the retreat to h2 if Black chases it with ...Nh5. And watch out for ...Qb6: the b2 pawn is left undefended and comes under regular attack.
Black has three working recipes against the London. The first is immediate pressure: ...c5 and ...Qb6, hitting b2 and making White spend time on defence. That alone often equalises.
The second is to trade off the good bishop: develop yours to f5 (before White plays Bd3) and offer the exchange. Without its dark-squared bishop White's kingside attack loses its key piece.
The third is the set-up with ...g6 and ...Bg7, followed by ...Nh5 to chase the f4 bishop away. After the trade or the retreat to h2, Black plays ...e5 and takes the centre. The main thing is not to play passively: the London punishes slowness above all.
The typical set-ups this opening leads to - learn them, and the plan follows by itself.
The set-up itself: the bishop has come to f4 before e3, the pawns form the c3-d4-e3 triangle, the knight goes to d2. Bd3, 0-0 and Ne5 usually follow.
Black fianchettoes the bishop, and White plays h3 in advance so that the f4 bishop is not traded off after ...Nh5. The set-up stays the same.
These are the main named variations. Click any one of them and it loads straight onto the board above, where you can play it out move by move. The trainer itself holds more lines than this: it also covers main-line continuations and transpositions that have no name of their own.
What to avoid, and what catches an unprepared opponent.
After an early ...c5 and ...Qb6 the b2 pawn hangs: the bishop has gone to f4 and nothing defends it. White has to know the answer in advance - Qb3, Qc1, or the b2 sacrifice trapping the queen - or the pawn drops for nothing.
Black either offers to trade the London bishop (...Bd6) or chases it with the knight (...Nh5). Keep the retreat Bg3 ready: the capture ...Nxg3 hxg3 usually even favours White - it opens the h-file.
The main mistake in the London is to set up and then fall asleep. The scheme gives you a fortress but does not win by itself: without an active plan (Ne5, an assault on the castled king, the c4 or e4 break) the initiative gradually passes to Black.
Traps in other openings - the 12 most common opening traps.
For its universality and economy of effort: White sets up almost identically against any black defence without memorising long lines. An ideal choice for anyone short of time for opening theory who still wants a reliable, meaningful game.
It used to be thought so, but times have changed. Magnus Carlsen and other elite grandmasters play the London regularly at the top level and win brilliant games with it. Behind the apparent simplicity lie subtle positional ideas and real venom.
The telltale sign is the early development of the bishop to f4, outside the pawn chain (unlike, say, the Queen's Gambit, where it often stays on c1 or goes to g5). That is what gives the London its trademark flexible, universal character.
Perfectly. It is one of the best openings for a beginner with White: minimal theory, clear plans (development, the fight for e5, pressure from the d3 bishop) and a sound position against almost anything. A convenient place to start building a repertoire.
Want the tactics that decide these positions? Start with the 12 most common opening traps and tactics for beginners. If you are just starting out, read the rules of chess and how to set up the board.
Достаточно приложения и людей, готовых сесть за доску. Форматов три, все бесплатные, а число турниров и участников ничем не ограничено.
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